https://mftomlinson.com MF Tomlinson Mon, 19 May 2025 17:11:02 +0000 https://mftomlinson.com en https://mftomlinson.com/Front-page Sun, 10 Jan 2021 15:47:58 +0000 MF Tomlinson https://mftomlinson.com/Front-page ︎ ︎ ︎ ︎︎ <img width="3383" height="365" width_o="3383" height_o="365" data-src="https://freight.cargo.site/t/original/i/ec6b0906279beec72d8ecf8e1ac825c67df5bb02f881e7ed633fc8c191c89807/MF-Logo-Longways---white.png" data-mid="95227138" border="0" src="https://freight.cargo.site/w/1000/i/ec6b0906279beec72d8ecf8e1ac825c67df5bb02f881e7ed633fc8c191c89807/MF-Logo-Longways---white.png" /> Listen&nbsp;︎︎︎ Watch&nbsp;︎︎︎ Bandcamp ︎︎︎&nbsp; Live ︎︎︎ PRAH Recordings ︎︎︎ Read on&nbsp;︎︎︎&nbsp; https://mftomlinson.com/Die-To-Wake-Up-From-A-Dream Sun, 23 Mar 2025 18:31:51 +0000 MF Tomlinson https://mftomlinson.com/Die-To-Wake-Up-From-A-Dream A new album is on the way DIE TO WAKE UP FROM A DREAM&nbsp; 11.07.2025&nbsp; Listen now︎ https://mftomlinson.com/We-Are-Still-Wild-Horses-Vinyl Tue, 16 Aug 2022 14:52:30 +0000 MF Tomlinson https://mftomlinson.com/We-Are-Still-Wild-Horses-Vinyl https://mftomlinson.com/We-Are-Still-Wild-Horses-About-1 Tue, 16 Aug 2022 15:08:26 +0000 MF Tomlinson https://mftomlinson.com/We-Are-Still-Wild-Horses-About-1 PRE ORDER LIMITED EDITION ‘DIE TO WAKE UP FROM A DREAM’ VINYL&nbsp; https://mftomlinson.com/Footer Fri, 29 Jan 2021 22:54:19 +0000 MF Tomlinson https://mftomlinson.com/Footer Thanks for stopping by!︎ <img width="3383" height="365" width_o="3383" height_o="365" data-src="https://freight.cargo.site/t/original/i/ec6b0906279beec72d8ecf8e1ac825c67df5bb02f881e7ed633fc8c191c89807/MF-Logo-Longways---white.png" data-mid="97049273" border="0" src="https://freight.cargo.site/w/1000/i/ec6b0906279beec72d8ecf8e1ac825c67df5bb02f881e7ed633fc8c191c89807/MF-Logo-Longways---white.png" /> ︎ ︎ ︎︎︎&nbsp; https://mftomlinson.com/More-2 Tue, 02 Feb 2021 18:30:13 +0000 MF Tomlinson https://mftomlinson.com/More-2 ︎ ︎ ︎ ︎ ︎︎ ︎ ︎ HOME︎ <img width="3383" height="365" width_o="3383" height_o="365" data-src="https://freight.cargo.site/t/original/i/ec6b0906279beec72d8ecf8e1ac825c67df5bb02f881e7ed633fc8c191c89807/MF-Logo-Longways---white.png" data-mid="97505130" border="0" src="https://freight.cargo.site/w/1000/i/ec6b0906279beec72d8ecf8e1ac825c67df5bb02f881e7ed633fc8c191c89807/MF-Logo-Longways---white.png" /> STRANGE TIME Words by Rob Hakiman&nbsp; Photography by Emily Underhill &nbsp; https://mftomlinson.com/More-Text Fri, 29 Jan 2021 23:59:45 +0000 MF Tomlinson https://mftomlinson.com/More-Text When MF Tomlinson released his Last Days Of Rome EP in March 2020, he could not have suspected just how prophetic a title that would turn out to be. Within a couple of weeks, London – the city that the Brisbane-born artist calls home – was a ghost town, the nation having been issued their stay at home orders. A tumultuous year later, things have scarcely changed. MF Tomlinson’s debut album Strange Time was born out of this bizarre liminal space of constant uncertainty that we’ve been living in, his candid poetry and expansive sonic caress capturing a true-life portrait of a world in turmoil – the personal mental strains, global political reckonings, and, most of all, humanity’s ability to connect and survive through it all. <img width="1545" height="1024" width_o="1545" height_o="1024" data-src="https://freight.cargo.site/t/original/i/a75c2e3bb035e4929a11bb5c34fb6bc4d614789e4476aa844c29e24180c66970/69440022.JPG" data-mid="97518643" border="0" src="https://freight.cargo.site/w/1000/i/a75c2e3bb035e4929a11bb5c34fb6bc4d614789e4476aa844c29e24180c66970/69440022.JPG" /> For most, the denial of the possibility to go on the road in support of the first release from a new project would be a disaster, but for Tomlinson it was a much-needed break. Having been consistently on tour around the world from the age of 19 with his previous bands Yves Klein Blue and Many Things, not to mention working with acts like Shock Machine and Tusks, he’d barely had a moment to stop and check in with himself for over a decade. <img width="1545" height="1024" width_o="1545" height_o="1024" data-src="https://freight.cargo.site/t/original/i/f388b966bea714830fcf0e05a7a2080e3fda654c342994c5d8feebf90806f082/10870036.JPG" data-mid="97504265" border="0" src="https://freight.cargo.site/w/1000/i/f388b966bea714830fcf0e05a7a2080e3fda654c342994c5d8feebf90806f082/10870036.JPG" />Having always seen himself primarily as a storyteller, the daily trials of a life in limbo provided the perfect inspiration for Tomlinson to really investigate that side of himself and discover a whole new way of working. “The stillness of life imposed by COVID was an opportunity for me to step back and sort of level up as a songwriter,” Tomlinson reflects. Restricted to his East London flat, he found himself in his bedroom playing acoustic guitar and writing songs – something he hadn’t done since he was 17 years old. These limitations shaped the sound of the Strange Time, which is rooted in 60s and 70s folk, something Tomlinson had a long-standing interest in. “I had always wanted to do a folk record, but maybe was too scared,” he admits. “In isolation, I found complete freedom to write again, something I don’t think I’d let myself experience since I was very young.” What emerged were verses littered with his daily observations, aimless thoughts, and vulnerable truths. He also learned to sing “with an inside voice” and jammed away on his saxophone “every single day for three weeks,” until his wife understandably banned it. <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/7747696498d7f6aca7a37c479636a69300404a93ce6fd53de51169e3e0c04313/IMG_3887.JPG" data-mid="97507174" border="0" src="https://freight.cargo.site/w/1000/i/7747696498d7f6aca7a37c479636a69300404a93ce6fd53de51169e3e0c04313/IMG_3887.JPG" />With legendary raconteurs like Brigitte Fontaine, Bobbie Gentry, Leonard Cohen and Bill Callahan as his listening companions and inspirations during the process, Tomlinson envisioned putting together an album that would stand as an artefact of the titular Strange Time, but with a timelessness that would see it remain a treasured listen in years to come. <img width="1545" height="1024" width_o="1545" height_o="1024" data-src="https://freight.cargo.site/t/original/i/9f5c00ebf2fdba8a2d82d7a02cae5540be27eac0583c80ba95a5fb89dd476fda/69430033.JPG" data-mid="97518638" border="0" src="https://freight.cargo.site/w/1000/i/9f5c00ebf2fdba8a2d82d7a02cae5540be27eac0583c80ba95a5fb89dd476fda/69430033.JPG" /> Sonically, he wanted to expand beyond his acoustic outlines into something subtly grandiose, looking at the work of luminaries like Miles Davis for guidance, and finding inspiration in diverse compilations, from Lights In The Attic’s primer on 70s Japanese folk rock Even A Tree Can Shed Tears and Soul Jazz’s Afro-Centric Futurism collection Soul Of A Nation. <img width="1545" height="1024" width_o="1545" height_o="1024" data-src="https://freight.cargo.site/t/original/i/109f651e71afa03a1f79a2408a56b1c0f09307177d1a8abf20e19c6798d8e4a7/69430030.JPG" data-mid="97518637" border="0" src="https://freight.cargo.site/w/1000/i/109f651e71afa03a1f79a2408a56b1c0f09307177d1a8abf20e19c6798d8e4a7/69430030.JPG" /> Fortunately, he was able to call on a battalion of musical friends from his years of working in myriad other projects to help him achieve his vision. While MF Tomlinson is nominally a solo project, he believes that “music is a dialogue between one or more people,” and Strange Time is a testament to that, being by far his most collaborative work to date, with contributions from over a dozen colleagues – lovingly known as “the MFs – because they’re all very talented motherfuckers”. <img width="1545" height="1024" width_o="1545" height_o="1024" data-src="https://freight.cargo.site/t/original/i/28f520fcf748b4295aa2c528d44b2da21cab4c6e555d7b96132f076a7a0dea6a/10830007.JPG" data-mid="97504280" border="0" src="https://freight.cargo.site/w/1000/i/28f520fcf748b4295aa2c528d44b2da21cab4c6e555d7b96132f076a7a0dea6a/10830007.JPG" />Buoyed by this collective musical prowess, Strange Time boasts a rich tapestry of brass, woodwinds, strings, and more, with half the songs stretching languorously and naturally beyond the five minute mark, gently drawing you into the album’s current. Trading files back and forth between the cast of players, with some remote recordings coming from overseas and even far-flung continents, Strange Time’s composition is a testament to artistic and human connection in a time of forced separation. With the results being so rich, each instrument perfectly placed to add luminous detail to Tomlinson’s tales, it is hard to fathom that they were compiled in such a painstaking manner.<img width="1545" height="1024" width_o="1545" height_o="1024" data-src="https://freight.cargo.site/t/original/i/8b130658b1ea16de4b19384f70909b83ce0f537696315e0fde95c79a43f499f3/10830002.JPG" data-mid="97506992" border="0" src="https://freight.cargo.site/w/1000/i/8b130658b1ea16de4b19384f70909b83ce0f537696315e0fde95c79a43f499f3/10830002.JPG" /> The instrumental detail and care is evident right from the opening title track, where Tomlinson’s own romantic sax twirls above Joseph Conner’s feathery electric piano and Yigit Bübül’s (Dan Lyons, whenyoung) pattering percussion to produce an impressionistic portrait of a mind coming to terms with the global crisis. “If god exists it seems the world is really ending,” he pontificates equanimously in his opening gambit, not with the bravado of Last Days Of Rome, but instead with an innocence and recognisable humanity that you instantly want to befriend. “I wanted it to be a balm, I wanted it to be like a salve,” Tomlinson admits. “I wanted people to go ‘that’s what it felt like to me when I was stuck in my house’.” <img width="1545" height="1024" width_o="1545" height_o="1024" data-src="https://freight.cargo.site/t/original/i/8205fcb65b12b6f019fc125f35b25103c8143e93243a91a51bef0706953165d9/69440006.JPG" data-mid="97506936" border="0" src="https://freight.cargo.site/w/1000/i/8205fcb65b12b6f019fc125f35b25103c8143e93243a91a51bef0706953165d9/69440006.JPG" /> This unpretentious openness flows into every song on Strange Time. “Spring” sees Tomlinson extrapolating on the idea that maybe humans’ time on the planet is up and the world is ready to be re-claimed by the lions, the dolphins and “the tigers of America” (nod to Tiger King very much intended). “It was the happiest feeling I’d known for days / to know that when we are gone the world belongs to itself again,” he sings with audible relief, as a gorgeous bed of autoharp, trumpet, cornet and clarinet rise to animate this soothing exhalation. “Long Day” finds Tomlinson pulling from his own experiences of rising early to work in a bakery - “at the end of a long day / it’s just gone lunch,” he opines while Ami Koda’s flute flits all around, but it will strike a chord with anyone who was surprised by how tiring a day of working from home could be. <img width="1545" height="1024" width_o="1545" height_o="1024" data-src="https://freight.cargo.site/t/original/i/b70d9e8b48e2420f883b0cf26683ae3eec602ae1c4882b83ddde9ee5e9fb2f94/69440012.JPG" data-mid="97518641" border="0" src="https://freight.cargo.site/w/1000/i/b70d9e8b48e2420f883b0cf26683ae3eec602ae1c4882b83ddde9ee5e9fb2f94/69440012.JPG" />Central to Strange Time is the psychedelic seven-minute treatise on modern paranoia and social media addiction, “Them Apples”. Co-written with Viljam Nybacka, the song floats on glistening organ and bluesy guitar as Tomlinson contemplates how “even when we’re really here, half of us hangs in the air.” Guest vocalist Connie Chatwin (Sam Smith, dodie) takes up the choric role, playing the voices of morbid-yet-irresistible headlines, singing sweetly to him about SOS notes found in cheap clothes from Bangladesh and the Venetians losing their city to rising tides, dragging him deeper into the doomscroll. As the opus descends into a beautiful clutter of flute, sax and noodling guitar that mirrors his overwhelmed mind, Chatwin’s mellifluous tones turn into cackles as Tomlinson finds himself powerless to resist the screen, begging “talk to me world, tell me everything.” <img width="1545" height="1024" width_o="1545" height_o="1024" data-src="https://freight.cargo.site/t/original/i/ff69edb76cbe2d07c43805a2847c944c4e9e307d7e17e6efadabc03ed517c552/69440001.JPG" data-mid="97518639" border="0" src="https://freight.cargo.site/w/1000/i/ff69edb76cbe2d07c43805a2847c944c4e9e307d7e17e6efadabc03ed517c552/69440001.JPG" />While Strange Time is unafraid to court the “unspeakable emptiness” of life in lockdown, Tomlinson makes sure to end on a note of hope with the jaunty “Thursday, 8pm”, named for the weekly time when society came together to vocally show their appreciation for the NHS. Disregarding his own reservations about the value of the ‘clap for carers’ while the government continues to gut the NHS, Tomlinson found solace and hope in the collective energy it brought, and it served as a reminder to him that humanity will prevail, a sensation that he captures in the album’s simple but profound final promise, “soon you’ll find that same old feeling / and you had it all along.” <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/0a046c9be4771d37bd1f9243f0d587d3f135741adf6fb289a067d542a04d8d4f/IMG_3884.JPG" data-mid="97507569" border="0" src="https://freight.cargo.site/w/1000/i/0a046c9be4771d37bd1f9243f0d587d3f135741adf6fb289a067d542a04d8d4f/IMG_3884.JPG" />Across the six tracks of Strange Time, MF Tomlinson doesn’t attempt to explain or aggrandise the quotidien activities of life in 2020, but to provide a record of a moment in history. In his own self-deprecating and naturally charming manner, he sings about his daily actions with truth and conviction that will resonate with anyone who lived through it – and may help them to frame their own emotional journey of the last 12 months. “These songs are meant to be understood, they’re not meant to be mysteries,” Tomlinson says, fully embodying the artist he always knew he was. “They are meant to speak from my heart and soul to yours.”&nbsp;<img width="1545" height="1024" width_o="1545" height_o="1024" data-src="https://freight.cargo.site/t/original/i/b5d036a54facff9b3fb13c4c1a96776c522858c6b0d9e44084b7062cc50de489/69450017.JPG" data-mid="97536912" border="0" src="https://freight.cargo.site/w/1000/i/b5d036a54facff9b3fb13c4c1a96776c522858c6b0d9e44084b7062cc50de489/69450017.JPG" /> https://mftomlinson.com/One-Sheet Mon, 27 Nov 2023 00:46:05 +0000 MF Tomlinson https://mftomlinson.com/One-Sheet ︎ ︎ ︎︎ ︎ ︎ <img width="1455" height="1818" width_o="1455" height_o="1818" data-src="https://freight.cargo.site/t/original/i/07b69a59dbee3ce1d571429310bb2aed75a779d9f8082786c2addb6ec0d21569/MF-Tomlinson_logo-2_black.png" data-mid="198078401" border="0" src="https://freight.cargo.site/w/1000/i/07b69a59dbee3ce1d571429310bb2aed75a779d9f8082786c2addb6ec0d21569/MF-Tomlinson_logo-2_black.png" /> ova <img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/6d3f52a03df103e521cf944bcc651537c7f0c57c7524db0a9cef8f7196a235f4/Die-To-Wake-Up-From-A-Dream---Album-Cover-AZ---Web-Size.jpg" data-mid="233414704" border="0" src="https://freight.cargo.site/w/1000/i/6d3f52a03df103e521cf944bcc651537c7f0c57c7524db0a9cef8f7196a235f4/Die-To-Wake-Up-From-A-Dream---Album-Cover-AZ---Web-Size.jpg" />Die To Wake Up From A Dream (2025) PRAH Recordings Top #75 Albums of 2025 MOJO ★★★★ MOJO ★★★★½ UNCUT ★★★½ The Line Of Best Fit★★★★½ God Is In The TV #45 of 2025 - Albumoftheyear.org A hefty dose of genre-defying music... dabbling in folk, spacious prog, shoegaze, experimental country, and everything in between -&nbsp;THE NEEDLE DROP Van Morrison's ethereality, Sigur Ros's songs within songs, add a touch of elegiac T.S. Eliot lyricism&nbsp;- UNCUTProgressive dreamscape from ambitious Australian...embarking on a byzantine trajectory…Tomlinson redefines his own terms from record to record, a maverick outlier worth keeping both eyes on - PROG&nbsp; <img width="4046" height="4046" width_o="4046" height_o="4046" data-src="https://freight.cargo.site/t/original/i/945964e42edc4e9e12713936a010696cbb809022ae460abc52bd4d1cc5dddb66/AlbumArt_72dpi_RGB.jpg" data-mid="198078404" border="0" src="https://freight.cargo.site/w/1000/i/945964e42edc4e9e12713936a010696cbb809022ae460abc52bd4d1cc5dddb66/AlbumArt_72dpi_RGB.jpg" />We Are Still Wild Horses (2023) PRAH Recordings ★★★★½ Gigwise ★★★★ MOJO ★★★★ The Times ★★★★ The Line of Best Fit #41 of 2023 - Albumoftheyear.org &nbsp; Rivals Bill Callahan's 'Sometimes I Wish I Were An Eagle... celebrates community spirit with Leonards Cohen's elegance... blissful climaxes, taking in bucolic psychedelia, jazzy post-rock, and celestial synths with the freedom of The Necks. - UNCUT <img width="1814" height="1820" width_o="1814" height_o="1820" data-src="https://freight.cargo.site/t/original/i/91aa8d3916371514e565f3cbec6a4f74692cc3be9b8472d8c95429719aef5d0b/Screenshot-2026-04-22-at-00.47.32.png" data-mid="247491878" border="0" src="https://freight.cargo.site/w/1000/i/91aa8d3916371514e565f3cbec6a4f74692cc3be9b8472d8c95429719aef5d0b/Screenshot-2026-04-22-at-00.47.32.png" />Strange Time&nbsp;(2021) Self Released★★★★ UNCUT★★★★½ Gigwise★★★★ MOJO★★★★ Northern Transmissions&nbsp; An artist who seems to use music as a means to excavate the soul - CLASHAcid-folk pioneer; chamber-pop genius… MF Tomlinson, manages to be all of this and more on his glorious debut - GIGWISEAcid-folk pioneer; chamber-pop genius… MF Tomlinson, manages to be all of this and more on his glo <img width="5582" height="7283" width_o="5582" height_o="7283" data-src="https://freight.cargo.site/t/original/i/d00cee23f00e835f6fed7a59c15762434600ac6cf18b5271f50619cf4071c208/MF-Tomlinson---Press-Shot---by-Andrea-Zvadova.jpg" data-mid="198078400" border="0" src="https://freight.cargo.site/w/1000/i/d00cee23f00e835f6fed7a59c15762434600ac6cf18b5271f50619cf4071c208/MF-Tomlinson---Press-Shot---by-Andrea-Zvadova.jpg" /> MF Tomlinson is an Australian-born London-based artist who, with his collaborators the MFs, crafts sonic worlds that draw upon acid folk, prog, jazz and ambient music - lying somewhere between Bill Callahan, Yo La Tengo and Leonard Cohen.&nbsp; Live Highlights: Supports &amp; Tours: Geese, TORRES, Dry Cleaning, Rolling Blackouts Coastal Fever Festivals: The End Of The Road, Latitude, BIGSOUND (AUS), The Great Escape, Sea Change Weekender, Epäjohdonmukaisten Tanssiaiset (FIN) Sold-out Headlines: MOTH Club, The Lexington, Shacklewell Arms “Illuminating... Soaring flute and saxophone accompaniment. It was funny, musically rich and tinged with sadness.” - The Times on MF,&nbsp; The Great Escape Press Support: Mojo, Uncut, The Times, The Needle Drop, The Line Of Best Fit, Record Collector, Evening Standard, Rolling Stone,&nbsp;DIY Magazine, CLASH Magazine, The Arts Desk, Gigwise, Northern Transmissions, Music OMH, Beats Per Minute, MOWNO "Tomlinson is many things; a wordsmith, a commanding vocal presence, and a conductor of light and dark... he is deeply talented songwriter” - The Line of Best Fit Radio &amp; Streamingmelomania, New Music Friday, The Listening Post, BBC Radio 6 Music, NTS, Worldwide FM, France Inter, WFUV, Radio X “I absolutely love this album. It’s kind of got that old country, folky feel to it, but also a sort of baroque-pop flavour. I heartily recommend the record to you…” Mark Radcliffe, 6 Music on We Are Still Wild Horses Release History: 2025: Die To Wake Up From A Dream + Remixed and Acoustic Sessions. We Are Still Wild Horses + Remixed &amp; Dolby Atmos Mix, (2023) Strange Time (2021) (LP) Self-released, Last Days of Rome (2019) (EP) Remixes: Rozi Plain, Group Listening, Pictish Trail&nbsp;Upcoming Releases: <img width="2000" height="1396" width_o="2000" height_o="1396" data-src="https://freight.cargo.site/t/original/i/f05e32d53f22ed727bca49efbb8e34d6261af21c7dcab128232b8481ffce8e30/HIOP-Tape-Demo.jpg" data-mid="247491867" border="0" src="https://freight.cargo.site/w/1000/i/f05e32d53f22ed727bca49efbb8e34d6261af21c7dcab128232b8481ffce8e30/HIOP-Tape-Demo.jpg" /> Heaven Is Other People EP Recorded in a few impromptu sessions, Heaven Is Other People is a collection of lo-fi gestural pieces on human connection through the lens of new fatherhood. The EP features regular collaborators Ed Grimshaw - Drums, Ben Manning - Bass, Gail Tasker - Flute, Kayvon Nabijou - Keys and Sax, a poem from MF's Grandfather and introducing ‘the new guy’ on the Korg Volca. Contact: Management: Joly Checketts joly@warmth.agency ︎ ︎ ︎ ︎ ︎︎&nbsp;︎ ︎ &nbsp; https://mftomlinson.com/Bio Mon, 19 May 2025 17:11:02 +0000 MF Tomlinson https://mftomlinson.com/Bio ︎ ︎ ︎︎ ︎ ︎ <img width="1455" height="1818" width_o="1455" height_o="1818" data-src="https://freight.cargo.site/t/original/i/07b69a59dbee3ce1d571429310bb2aed75a779d9f8082786c2addb6ec0d21569/MF-Tomlinson_logo-2_black.png" data-mid="233415198" border="0" src="https://freight.cargo.site/w/1000/i/07b69a59dbee3ce1d571429310bb2aed75a779d9f8082786c2addb6ec0d21569/MF-Tomlinson_logo-2_black.png" /><img width="698" height="1592" width_o="698" height_o="1592" data-src="https://freight.cargo.site/t/original/i/5f09d38c681856e3b73531ebd1ffd866bc6474dc3055c451c62d0844910cf7ea/stars-png-2.png" data-mid="233415199" border="0" src="https://freight.cargo.site/w/698/i/5f09d38c681856e3b73531ebd1ffd866bc6474dc3055c451c62d0844910cf7ea/stars-png-2.png" /> <img width="1095" height="1643" width_o="1095" height_o="1643" data-src="https://freight.cargo.site/t/original/i/617689d565c4608bb85e5233d071472ee4548ad0633018d43fe17821241e3e4b/Portrait-Web-Size.jpg" data-mid="233415204" border="0" src="https://freight.cargo.site/w/1000/i/617689d565c4608bb85e5233d071472ee4548ad0633018d43fe17821241e3e4b/Portrait-Web-Size.jpg" />Photography by Andrea Zvadova <img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/6d3f52a03df103e521cf944bcc651537c7f0c57c7524db0a9cef8f7196a235f4/Die-To-Wake-Up-From-A-Dream---Album-Cover-AZ---Web-Size.jpg" data-mid="233415203" border="0" src="https://freight.cargo.site/w/1000/i/6d3f52a03df103e521cf944bcc651537c7f0c57c7524db0a9cef8f7196a235f4/Die-To-Wake-Up-From-A-Dream---Album-Cover-AZ---Web-Size.jpg" />Die To Wake Up From A Dream (2025) PRAH Recordings <img width="4046" height="4046" width_o="4046" height_o="4046" data-src="https://freight.cargo.site/t/original/i/945964e42edc4e9e12713936a010696cbb809022ae460abc52bd4d1cc5dddb66/AlbumArt_72dpi_RGB.jpg" data-mid="233415201" border="0" src="https://freight.cargo.site/w/1000/i/945964e42edc4e9e12713936a010696cbb809022ae460abc52bd4d1cc5dddb66/AlbumArt_72dpi_RGB.jpg" />We Are Still Wild Horses (2023) PRAH Recordings Artist Bio - MF Tomlinson MF Tomlinson is ist who, with his collaborators the MFs, crafts sonic worlds that draw upon acid folk, prog, jazz and ambient music - lying somewhere between Bill Callahan, Yo La Tengo and Leonard Cohen. This year MF announced a new album ‘Die To Wake Up From A Dream’ set for release on PRAH Recordings in July ‘25.&nbsp;His second album, We Are Still Wild Horses, was released February 2023 on PRAH Recordings to a remarkable critical reception.Live, Cameron Winter &amp; co picked out the MFs to support Geese on their European dates in ‘23 as did TORRES on her most recent run. Other highlights include supports with Dry Cleaning, Nina Persson, and appearances at End of the Road, BIGSOUND, The Great Escape and Latitude. Contact: Management: Joly Checketts, joly@warmth.agency Bookings: Matt Hanner, matt@runwayartists.com London Promoter: Lucy Pitkethly, lucyp@eatyourownears.com ︎ ︎ ︎ ︎ ︎︎&nbsp;︎ ︎ &nbsp; https://mftomlinson.com/Front-page-copy Mon, 27 Nov 2023 13:53:10 +0000 MF Tomlinson https://mftomlinson.com/Front-page-copy ︎ ︎ ︎ ︎ ︎︎ ︎ ︎ &nbsp;